The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.
Checking...Scrape Manually
Camera Operator
Carlo Thiel
Camera Operator
Matthieu Deshais
Camera Operator
Ralf Klingelhöfer
Camera Operator
Stefan Kudzinski
Director
Rüdiger Mörsdorf
Writer
Rüdiger Mörsdorf
art collectorwar propagandafield research19th centuryhistorical reenactmentfranco-prussian war